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Originally Posted by dimitri
thanks alminac, but it does sound a bit complicated.
what i have done now is a background with 100k and 60c, and than my white type with a 100% k outline which is set to knockout.
this does the trick for now. sorry about the trapping software, but i work in an agency and we don't output on film. just prepare the stuff.
i know, the printshop is responsible for it, but we talk about perth, western australia. no one cares about thoose stuff here.
cheers anyway
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Perfect solution.
Remembering the days of Quark 4 (oh that would be today) we were always trapping manually. Our "Rich Black" was 60C, 40M, 40Y, 100K. What we did was to make a duplicate of the text box containing the white type and put it behind the original then colored it with a tint of .1% of cyan (you can do that in Quark) then set the white text to KO and the .1% cyan to "custom +.3" in the trapping pallet. Since the black background was set to overprint the only thing that got "Spread" back was the Cyn,Mag,Yel under it, and the .1% never printed (ever seen any output device that hold a .1% dot?)